by Jennifer Keats Curtis

April 8, 2010

AnnapolisArtWalk StoryImg

The Annapolis Art Walk includes 13 large-scale photographs, like the one pictured.

Once a small pencil-on-paper napkin concept, Sally Wern Comport and Chuck Walsh found a way to blow art out of proportion—literally.

The nationally known illustrator and retired telecommunications attorney joined forces three years ago to come up with a giant art project just in time to help the City of Annapolis celebrate the 300th anniversary of its charter. By experimenting with the latest in digital sign equipment and software, Comport learned how to “marry exterior art with technology” to create unusually big art that can be inexpensively installed on outside arenas while withstanding the elements of nature as well as vandals.

Walsh, determined to make a difference in the city he has lived in for more than 30 years, persuaded Annapolis’ Art in Public Places Commission to provide $70,000 in funding. He then convinced Loew’s Hotel, Merrill Lynch, Homestead Gardens, Severn Bank, Retirement Planning Services—Mike Sterenka, and other private donors to more than match that amount. “I think we’ve put together the most effective private-public partnership in terms of dollars and deadlines than anyone could have hoped for,” says Walsh.

By the end of 2007, the duo had helped install 13 large-scale photographs and paintings on six designated locations around town. Each site-specific piece celebrates historical themes, like personal liberties and the maritime nature of the city

Comport, who acted as curator, says she is excited about bringing history to people in a fun and intriguing way. She hopes the big works may help inspire those who wouldn’t respond otherwise.

Comport’s own work is joined by contemporary American oil painter Sy Mohr; Annapolis-based illustrator and historical re-creationist Greg Harlin; artist, teacher, and community activist George “Lassie” Belt; and famed photographer Marion Warren.

The partners have been “astounding to see the broad reach that public art in this forum has had,” says Walsh. “From the man who lives under Rowe Boulevard Bridge to the millionaires to the little old ladies pushing carts; everyone is talking about the art,” cheers Comport.

A plaque at each site provides details about the art and artist. For more information and a map of the sites, visit www.artatlargeartwalk.com.

by Jennifer Keats Curtis

April 8, 2010

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